Dr.M.Mazumdar

Creative resistance (or the universal force against creativity) is a concept created by American novelist Steven Pressfield. Resistance is the reason many people don’t achieve their creativity and dreams. Resistance is anything that stops the artist or creative thinker from taking creative action, including inner fears, procrastination, and self-doubt. Resistance is universal and inevitable. Creative Resistance is invisible but its effects are very real. It may seem to come from outside of you, it is self-generated and self-perpetuated. It is also a force of nature and a liar. Reasons for Creative Resistance-  i)Procrastination is a common symptom of Creative Resistance because it’s the easiest to rationalize. ii)Fear is another perfect weapon. All strengths and powers come from our fears. Self-doubt and  iii)Perfectionism are other rooted reasons. iv)Shaming and accusatory voice also resists creativity. Ways to stop Resistance in Creativity - i)Dedicating oneself to work every day sto

Creativity is a multifaceted concept that encompasses the ability to generate novel and valuable ideas, solutions, or expressions. It is a process that involves imagination, innovation, and originality, leading to the creation of something new, whether it's in the arts, sciences, technology, or everyday life. Creativity isn't confined to a specific domain; it's a universal human trait that manifests in a myriad of ways. Components of Creativity Creativity can be understood through several key components: - Originality: This is the hallmark of creativity. It involves coming up with ideas or solutions that are unique, surprising, or unconventional. Originality is what separates creative output from rote repetition. - Fluency: This refers to the ability to generate a large number of ideas. A creative person often has a high degree of fluency, allowing them to brainstorm and produce many possible solutions to a problem. - Flexibility: Creativity requires adaptability and the ab

Measuring Creativity: A Comprehensive Approach Creativity, often heralded as a vital ingredient in human progress and innovation, is a complex and multifaceted phenomenon. It encompasses the ability to generate novel ideas, products, or solutions that have value. Measuring creativity, therefore, involves capturing this complexity while providing meaningful and reliable assessments. The following discussion outlines the key elements involved in measuring creativity, explores various methods, and addresses the challenges that arise in this process. Key Components of Creativity To measure creativity, it’s essential to understand its underlying components. While numerous models exist, one of the most cited frameworks is the "4 P's of Creativity," which encompasses: 1. Person: Refers to individual traits and characteristics that contribute to creativity. These include divergent thinking, openness to experience, intrinsic motivation, and cognitive flexibility. 2. Process: Invol

Pre-Independence Era: During the pre-independence era, the short story in India evolved amidst colonialism, regional literature, and social reform movements. 1. Colonial Influence: British rule introduced Western literary forms to India. Writers like Bankim Chandra Chattopadhyay experimented with short narratives alongside their novels, often infusing them with nationalist sentiments. Their works served as a bridge between traditional Indian storytelling and Western literary techniques. 2. Regional Literature: Indian languages such as Bengali, Marathi, Tamil, and Urdu flourished in short story writing. Rabindranath Tagore’s "Galpaguchchha" (1910) exemplified the lyrical and philosophical qualities of Bengali short stories, delving into themes of love, loss, and human nature. Other regional writers like Premchand in Hindi and Bharati in Tamil used their stories to depict the struggles and aspirations of the common people, grounding their narratives in the socio-cultural contex

Early Influences: Indian English drama began to take shape during the British colonial period in the 19th century. The earliest notable work is "The Perplexed Prince" by Bhartendu Harishchandra in 1881, blending Western and Indian theatrical traditions. Harishchandra's pioneering efforts laid the groundwork for future playwrights to explore themes of cultural identity and social change. His plays served as a bridge between traditional Indian storytelling and Western dramatic techniques, paving the way for the development of Indian English drama. However, the genre truly blossomed in the early 20th century with the works of Rabindranath Tagore. Tagore's plays, such as "Chitra" (1892) and "The Post Office" (1912), not only displayed linguistic mastery but also delved into themes of national identity and social reform. Tagore's exploration of these themes resonated deeply with Indian audiences, as he skillfully depicted the struggles and aspiratio

Indian poetry during the post-independence period reflects the diverse socio-political, cultural, and linguistic landscape of the nation. From the idealism of independence to the challenges of modernity, Indian poets have explored a wide range of themes and styles. In this period, poetry emerged as a powerful medium to articulate the hopes, aspirations, and struggles of a newly independent nation. One of the most prominent figures of post-independence Indian poetry is Nissim Ezekiel. His poetry is marked by wit, irony, and a keen observation of Indian society. In poems like "The Night of the Scorpion" and "Enterprise," Ezekiel critiques the superstitions and contradictions of Indian life while also celebrating its resilience and spirit. Kamala Das, known for her bold and confessional poetry, explored themes of gender, sexuality, and identity. Her poems, such as "An Introduction" and "My Grandmother's House," challenge societal norms and offer

During the pre-independence period in India, English poetry played a significant role as a means of articulating the sentiments, struggles, and aspirations of a nation under colonial rule. This era, which spans from the late 19th century to the mid-20th century, saw the emergence of several influential poets who contributed to the rich tapestry of Indian literature. One of the earliest voices in Indian English poetry was Henry Louis Vivian Derozio. Born in 1809, Derozio was a key figure in the Bengal Renaissance, a movement that aimed to revive Indian culture and foster intellectual awakening. Derozio's poetry was characterized by its nationalist fervor and progressive ideas. His poem "The Fakeer of Jungheera" challenged colonial stereotypes and celebrated the resilience of Indian society in the face of oppression. Similarly, "To India – My Native Land" expressed Derozio's deep love for his country and his desire to see it free from foreign rule. As the 19th