306. DSC 201- 3:4- Pre-Raphelite Movement (1)
The Pre-Raphaelite movement, which began in the mid-19th century, was primarily an artistic movement but had a significant impact on literature as well. Founded in 1848 by a group of English painters, poets, and critics, the Pre-Raphaelite Brotherhood sought to return to the detailed, vibrant style of art that existed before the time of the Renaissance painter Raphael. In literature, this movement was characterized by a similar return to medieval themes, vivid imagery, and a focus on beauty, emotion, and morality.
Origins and Aims
The Pre-Raphaelites were influenced by Romanticism and reacted against the industrialization and materialism of the Victorian era. They sought inspiration from medieval culture, myth, and legend, celebrating the art and literature of the past while also engaging with contemporary social issues. Their literature, much like their art, was detailed, sensuous, and symbolic, often dealing with themes of love, death, nature, and spirituality.
Key Figures and Works
Dante Gabriel Rossetti, one of the founding members of the Pre-Raphaelite Brotherhood, was a pivotal figure in both the artistic and literary branches of the movement. As a poet, Rossetti's work is rich in sensual imagery and medievalism. His collection The House of Life (1881), for example, is a sonnet sequence that explores themes of love, loss, and the passage of time, drawing on symbolic and romantic imagery.
Christina Rossetti, Dante Gabriel’s sister, was also a key literary figure of the movement. Her poetry reflects the Pre-Raphaelite focus on emotional intensity, religious devotion, and detailed natural imagery. Her famous poem Goblin Market (1862) deals with themes of temptation, sacrifice, and redemption, blending Christian allegory with fairy tale-like fantasy.
William Morris, another significant contributor, combined his literary work with his passion for medieval arts and crafts. His epic poem The Earthly Paradise (1868–1870) reflects Pre-Raphaelite ideals by reimagining classical and medieval myths, emphasizing human emotion and a romanticized view of nature. Morris also founded the Kelmscott Press, which produced beautifully illustrated editions of literary works, further blending art and literature.
Themes and Style
Pre-Raphaelite literature is often characterized by its emphasis on beauty, nature, and the past. Writers in this movement were drawn to detailed descriptions, rich, and vivid language. They sought to evoke intense emotions through their portrayal of love, death, and spirituality, often in a medieval or mythical setting.
The Pre-Raphaelite Brotherhood's short-lived illustrated magazine, The Germ; the poetry and devotional prose of Christina Rossetti ( Goblin Market and Other Poems, The Prince's Progress and Other Poems, Called to Be Saints, Time Flies); Gerard Manley Hopkins' onomatopoetic theory of language (as expressed in "The Wreck of the Deutschland" and elsewhere); Dante Gabriel Rossetti's movement from confident belief in the divine and the signifying power of the devotional emblem to religious and representational uncertainty (in works such as "My Sister's Sleep" and The House of Life); and Algernon Charles Swinburne's challenging of the emblem's representational limits (in Chastelard and "Laus Veneris," as well as in other works), all echo the themes and style of the pre-Raphaelite literature. The consistent incorporation of emblem structure in their literature is recurrent.
Conclusion
The Pre-Raphaelite movement in literature was a reaction against the Industrial Age’s materialism, offering a return to the emotional and aesthetic values of the medieval past. Through their richly descriptive, symbolic, and often mystical works, writers like Dante Gabriel Rossetti, Christina Rossetti, and William Morris left a lasting impact on English literature, inspiring future generations to explore beauty, nature, and the depth of human emotion.